Category Archives: R&B

DOWNLOAD: THE DEVANTE SWING COLLECTION


The genius behind Jodeci has fallen on hard times over the last decade, with rumors of drug addiction (and an embarrassing TMZ video) taking the place of hit records. But none of this changes the intensity of the impact that Donald “DeVante Swing” Degrate had on the sound of ’90s R&B music in a prolific five year period. A freakishly talented instrumentalist with a freaky side, the Virginia native wrote and produced nearly every song Jodeci ever performed, inspiring a generation* with his achingly sincere, hyper-sexualized slow jams.

Before Jodeci’s breakthrough in 1991, DeVante did some co-production work at Uptown Records, including the radio version of Al B. Sure’s “Missunderstanding” that became a #1 R&B hit. He continued to make big moves as a songwriter, using the talkbox-heavy “Jodeci Sound” to create hits for everyone from a 50-year-old Al Green to a 16-year-old Usher. In the mid-’90s he developed his own training camp of artists and producers called the Swing Mob, which famously introduced names like Missy Elliott, Timbaland, Ginuwine, Tweet, Static Major, Darryl Pearson, and Stevie J to the industry. He executive produced the #1 Dangerous Minds soundtrack, and before long he was being managed by Suge Knight, spending a lot of time with 2Pac, and crafting Jodeci’s ambitious third album.

In the next few years, everything fell apart—Death Row died with 2Pac, K-Ci & JoJo went solo, and the Swing Mob artists started signing with other labels. By the late ’90s, DeVante had been completely eclipsed by his former protégé, Timbaland, as mainstream R&B’s biggest innovator. His career fell into a 15 year black hole, marking a tragic end for one of music’s brightest stars. Spark one and zone out to my compilation of 30 DeVante classics…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK…

DOWNLOAD: THE TRACKMASTERS COLLECTION


Aside from Puffy, Poke & Tone were the most villified producers of the ’90s, synonymous with rap’s jiggy era after co-producing “Gettin’ Jiggy With It.” But their discography reveals more hip-hop and R&B classics than crossover cheese, beginning with singles from Chubb Rock, Kool G Rap and Big Daddy Kane in the early ’90s. Tone (a.k.a. Red Hot Lover Tone) released two solo albums, while Poke linked up with Puff Daddy to co-produce a ton of early Bad Boy/Uptown classics, from Mary J.’s “Be Happy” to Biggie’s “Juicy.” But the Trackmasters name really became infamous to most rap fans in 1995 and ’96 when they produced the majority of both LL Cool J’s Mr. Smith and Nas’ It Was Written.

Golden boys in the golden era of New York rap’s glossy makeover, their reputation as hitmakers was unparalleled by the end of the decade. They started to move away from samples in the early ’00s, and things were never quite the same. Their attempt to bring Jay-Z and R. Kelly together on The Best of Both Worlds turned out to be a debacle, and in 2003 they were perhaps unfairly branded “the guys who missed out on 50 Cent.” Remember the good times with my mixtape of 30 Poke & Tone classics…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK…

DOWNLOAD: THE LEON SYLVERS COLLECTION

The eldest brother in the Jackson-style family band The Sylvers, Leon F. Sylvers III was 19 when he wrote the group’s first top 10 R&B single “Wish That I Could Talk To You” in 1972. By the late ’70s, Leon had really hit his stride as a songwriter and producer after Dick Griffey hired him at S.O.L.A.R. Records—The Sound Of Los Angeles. His brand of classy, soul-drenched disco-funk became known in the industry as “The S.O.L.A.R. Sound,” made famous by Leon’s string of smashes with Shalamar, along with the label’s all-star roster Lakeside, The Whispers, The Spinners, and Dynasty. Hits with everyone from Evelyn “Champagne” King to Gladys Knight & The Pips continued into the mid ’80s.

Things had slowed down for Leon by the time he released his self-titled solo debut on Motown in 1989. While his name had faded as a marquee producer, he continued to find some quality work throughout ’90s—including co-writing a slew of records with Teddy Riley like Blackstreet’s #2 R&B hit “Before I Let You Go.” He even famously hired an unknown keyboard player named Damon Riddick (a.k.a. Dam-Funk of Stones Throw fame) for his first job in 1992. Still active today in his late 50s, Leon Sylvers is a true R&B genius who rarely gets mentioned with the greats, but his catalog is full of gems. I compiled and tagged 30 of my favorite Leon Sylvers creations for your downloading pleasure…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK…

DOWNLOAD: THE KAY GEE COLLECTION


Eminem gives respect to Treach as one of the most innovative lyricists of the early ’90s, and Naughty By Nature’s main producer—Kier “Kay Gee” Gist—is long overdue for a similar recognition on the music tip. After debuting in 1989 as a trio named The New Style, this group of East Orange, New Jersey friends landed a management deal with Queen Latifah’s Flavor Unit. They soon changed their named to Naughty By Nature, got signed to Tommy Boy and started producing for Flavor Unit’s roster. The group’s classic self-titled debut featured “O.P.P.,” one of rap music’s first massive crossover hits that didn’t sacrifice hip-hop credibility.

The success of Naughty set Kay Gee up as a producer-for-hire, but even from the jump, his focus seemed to be on artist development. He found early R&B success with bald-headed duo Zhané, who he signed to Naughty’s Illtown Records. While he originally produced in collaboration with the Naughty crew, he broke out on his own in the mid-’90s and formed a new label named Divine Mill. Once again, he found R&B success with Next, and later soul crooner Jaheim. In honor of everyone driving out to Jersey this weekend for Summer Jam, I wanted to make a mix of 30 key Kay Gee-related tracks for this week’s Uggh…Nice Watch release. Enjoy…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

NEW ALBUM: THE JIM JONSIN COLLECTION


Over the last 8 years, Miami producer James “Jim Jonsin” Scheffer has given his career a complete makeover. While local Florida music fans might know him as DJ Jealous J, a legendary DJ/rapper/producer in the state’s electro bass scene, today’s urban music fans know him as the 808-friendly pop producer behind smashes like T.I.’s “Whatever You Like,” Soulja Boy’s “Kiss Me Thru The Phone” and Lil Wayne’s “Lollipop.”

But Jonsin’s journey began in the late ’80s, when he started producing and performing bass records under the name Jealous J for the independent Cut-It-Up-Def label, including some joints that are widely considered classics of the genre. He was particularly well known for his precise cutting and scratching skills as a DJ. Jim continued working with Heat Wave Records and Dynamix II Records through the mid-’90s, but by that time the bass scene was becoming a shadow of its former self.

During the late ’90s, he released a more trance-flavored album under the name DJ Devistada, while founding a hip-hop-oriented label under Warner Brothers called Paper Chasers that would never come to fruition. But the big change in his career came with the national crossover of Miami rap. Jim started producing a few album cuts for Trick Daddy and Trina, before linking up with producer Bigg D and forming a new production crew called The Unusual Suspects. The partnership only lasted a few years, but the hits they made together finally turned Jim into a viable mainstream pop producer. I’ve compiled some of my favorite Jim Jonsin-related joints from the last 20 years for this week’s Uggh…Nice Watch release…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

NEW ALBUM: THE TRICKY STEWART COLLECTION

trickystewartcollection

The-Dream is the biggest shit in R&B right now, but his fans still don’t know much about the guy behind the guy: veteran producer Christopher “Tricky” Stewart. The 35-year-old creative mastermind was already producing for major artists (along with his original partner Sean “Sep” Hall) while still in high school. Originally a native of Chicago’s suburbs, Tricky worked in L.A. for a few years before meeting L.A. Reid and moving out to Atlanta in 1995, where he established his RedZone Entertainment company.

Before long, he was crafting huge mainstream hits for JT Money and Mya, and signing a few semi-successful artists like Blu Cantrell. The RedZone collective has since grown to include key players like songwriter The-Dream and vocal producer Kuk Harrell, a team that’s taken Tricky’s success to new heights. In honor of Love Vs. Money dropping today, I compiled some of my favorite Tricky joints from the last 17 years for this week’s Uggh…Nice Watch release…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

NEW ALBUM: THE NELLEE HOOPER COLLECTION

nelleehoopercollection_coverWhen it comes to British music, Nellee Hooper has been at the center of some major movements. He started out in the early ’80s as a founding member of influential Bristol DJ crew/sound system The Wild Bunch, who eventually spawned trip-hop pioneers Massive Attack.

By the late ’80s, Hooper had moved to London and joined up with Jazzie B in a new group called Soul II Soul, who, for the first time, brought a unique brand of British soul music to the international pop charts. His work on early albums by Björk and Massive Attack led to Hooper becoming one of the most in-demand producers in popular music, making huge hits for superstars like Madonna and U2. Trust me—if you’re not familiar with Hooper, you’ll be amazed at the diversity of truly classic records he’s produced. I’ve compiled some of my favorites for this week’s Uggh…Nice Watch release.

CLICK HERE FOR THE TRACKLISTING + DOWNLOAD LINK!