Category Archives: Rap

DOWNLOAD: THE E-A-SKI & CMT COLLECTION


In addition to Battlecat, another slept-on West Coast producer who deserves to be in the funk hall of fame is E-A-Ski, an Oakland native who’s been making classic records with his partner CMT since the early ’90s. Best known as the original hitmakers behind Spice 1 and Master P’s California years (Ski released his solo debut on No Limit in ’92), the duo created some of the most memorable records of the ’90s, including smoothed-out gems for Suave House artists like Mr. Mike and g-funk hits for West Coast icons like Kam. After a few quiet years, Ski & CMT popped up again in the hyphy era with a new sound and a string of hits, including The Team’s “Moe Doe.” For 30 classics from their indisputable 20-year discography, download The E-A-Ski & CMT Collection…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK…

DOWNLOAD: THE TRACKMASTERS COLLECTION


Aside from Puffy, Poke & Tone were the most villified producers of the ’90s, synonymous with rap’s jiggy era after co-producing “Gettin’ Jiggy With It.” But their discography reveals more hip-hop and R&B classics than crossover cheese, beginning with singles from Chubb Rock, Kool G Rap and Big Daddy Kane in the early ’90s. Tone (a.k.a. Red Hot Lover Tone) released two solo albums, while Poke linked up with Puff Daddy to co-produce a ton of early Bad Boy/Uptown classics, from Mary J.’s “Be Happy” to Biggie’s “Juicy.” But the Trackmasters name really became infamous to most rap fans in 1995 and ’96 when they produced the majority of both LL Cool J’s Mr. Smith and Nas’ It Was Written.

Golden boys in the golden era of New York rap’s glossy makeover, their reputation as hitmakers was unparalleled by the end of the decade. They started to move away from samples in the early ’00s, and things were never quite the same. Their attempt to bring Jay-Z and R. Kelly together on The Best of Both Worlds turned out to be a debacle, and in 2003 they were perhaps unfairly branded “the guys who missed out on 50 Cent.” Remember the good times with my mixtape of 30 Poke & Tone classics…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK…

DOWNLOAD: THE SALAAM REMI COLLECTION

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Today, Salaam Remi is the guy who flies down to St. Lucia to work with Amy Winehouse; he’s the guy who executive produced the Sex & The City soundtrack, for god’s sake. But in the early ’90s, he first made his name as the man to see if you wanted to fuse hip-hop with reggae. In fact, his work with Bobby Konders on Super Cat‘s “Ghetto Red Hot (Remix)” arguably kick-started NYC’s whole obsession with rap/dancehall fusion.

The son of studio musician and producer Van Gibbs, Remi started out playing keys on Kurtis Blow records in the mid-’80s. After stints co-producing records with Konders, Marley Marl and Funkmaster Flex, he gave The Fugees their first hit record (“Nappy Heads (Remix)”), and crossed over to the mainstream with his massive reggae-pop hit “Here Comes The Hotstepper” by Ini Kamoze. In the last decade, he’s continued his mainstream success as both Nas and Amy Winehouse’s most reliable production partner—he’s produced so many records I love, I had a hard time narrowing this one down. I compiled 35 of my favorite Salaam Remi-related songs for one of this week’s Uggh…Nice Watch releases…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

DOWNLOAD: THE KAY GEE COLLECTION


Eminem gives respect to Treach as one of the most innovative lyricists of the early ’90s, and Naughty By Nature’s main producer—Kier “Kay Gee” Gist—is long overdue for a similar recognition on the music tip. After debuting in 1989 as a trio named The New Style, this group of East Orange, New Jersey friends landed a management deal with Queen Latifah’s Flavor Unit. They soon changed their named to Naughty By Nature, got signed to Tommy Boy and started producing for Flavor Unit’s roster. The group’s classic self-titled debut featured “O.P.P.,” one of rap music’s first massive crossover hits that didn’t sacrifice hip-hop credibility.

The success of Naughty set Kay Gee up as a producer-for-hire, but even from the jump, his focus seemed to be on artist development. He found early R&B success with bald-headed duo Zhané, who he signed to Naughty’s Illtown Records. While he originally produced in collaboration with the Naughty crew, he broke out on his own in the mid-’90s and formed a new label named Divine Mill. Once again, he found R&B success with Next, and later soul crooner Jaheim. In honor of everyone driving out to Jersey this weekend for Summer Jam, I wanted to make a mix of 30 key Kay Gee-related tracks for this week’s Uggh…Nice Watch release. Enjoy…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

DOWNLOAD: THE MUGGS COLLECTION


The influence of Soul Assassins mastermind Lawrence “DJ Muggs” Muggerud on West Coast hip-hop shouldn’t be underestimated. Originally a native of Queens who moved to LA as a teenager, the ill Italiano got his chops in the late ’80s DJing for short-lived Geffen Records rap group The 7A3 (as DJ Grandmixer Muggs…he’s the one on the left). KDAY’s Julio G introduced him to rappers B-Real and the the Reyes brothers (Sen Dog and Mellow Man Ace), a partnership that led to the formation of Cypress Hill.

The massive success of the group, fueled by Muggs’s unique, playfully dark sound, blazed a new trail for West Coast rap. The producer’s sample-heavy, New York-influenced beats made the group’s first two album hip-hop classics, and before long he was one of the genre’s most in-demand beatmakers, working with heavyweights like Ice Cube and mentoring newer Soul Assassins artists like Funkdoobiest, House of Pain and a young Alchemist. The rise of the West Coast underground scene in the ’90s owes a massive debt to Muggs’ unorthadox work, which proved that music that was decidedly not g-funk could still represent Cali correct. I compiled a grip of must-have Muggs classics for this week’s second Uggh…Nice Watch collection…

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINK!!

DOWNLOAD: THE BATTLECAT COLLECTION


Quik and Dre are rightfully lauded as the giants of West Coast hip-hop, but one guy that deserves to be mentioned in the same breath is Kevin “DJ Battlecat” Gilliam. This dude is g-funk in the flesh. Amazing. Originally a radio DJ at KDAY, he blew up as a producer in ’93 with Domino’s huge hits “Getto Jam” and “Sweet Potato Pie,” adding a cooled-out, jazzy R&B flavor to the funk-based sound of the minute (Doggystyle came out two weeks before Domino’s debut).

Since then, Battlecat has become a West Coast staple, producing hits and hidden gems on a slew of classic albums, from Ras Kass to Snoop. I was watching video video of him in the studio recently (this one), and it really made sense that he would be such a big Tribe Called Quest fan. He’s sort of gotten pigeonholed as a niche West Coast-only producer for whatever reason, despite his creativity, track record and amazing musicality. A lot of great producers come and fade away, but a Cat track is still as dope today as it was in 1995. Take a listen to this week’s release and you’ll hear what I mean. I compiled some highlights from the last 20 years…

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NEW ALBUM: THE BACKPACK RAP COLLECTION

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Making fun of modern day backpackers is definitely one of my favorite hobbies, but truth be told, I was obsessed with the original era of so-called “backpack rap” in the mid-to-late ’90s. At the same time that hip-hop’s bigger-than-life jiggy era was in full bloom, an alternative scene sprung up, centered around independent vinyl releases, lyrical experimentation and a rejection of “the industry.”

Most of these classic records were only issued on 12″ single in the years before file-sharing exploded, and as a result, many of these artists and songs have been forgotten. To me, the backpack era officially ended in 1999, when Eminem blew up and Funk Flex started playing Pharoahe Monch’s “Simon Says” on Hot97. I’ve compiled 40 of my favorite joints from the era for your listening pleasure.

CLICK HERE TO SEE THE TRACKLIST + DOWNLOAD LINKS